It’s hard to put into words my first impressions of the film. To Jodhaa’s immense surprise, Akbar helps her to continue to practice her Hindu religion in his Muslim empire, and the two quickly develop a mutual admiration that becomes something much deeper. The film centres on a political marriage between Mughal emperor Akbar and the Rajput princess Jodhaa which, against the odds, blossoms into true love. This and his 2004 film Swades are also available on Netflix. The film helped to solidify director Ashutosh Gowariker’s reputation as a master of the historical epic, having already gained an Oscar nomination for Lagaan (2001), a film set during the height of the British Raj in 1893. I can’t think of any film I’ve watched in the last few weeks that has pulled me away from the current year and its challenges more than Jodhaa Akbar, a three-and-a-half-hour romantic epic set in sixteenth-century Hindustan. Not surprisingly, many of us are turning to streaming services like Netflix to get us through the long and uncertain period of housebound isolation ahead of us. This week’s heavy rain, drumming dully against the glass of my bedroom window, has, somehow, made the already claustrophobic walls of my house feel even closer. Melbourne’s weather, just recently, has begun to herald the approach of winter. Lachlan Blain looks behind the sixteenth-century Bollywood blockbuster Jodhaa Akbar and discovers its master storyteller, the veteran costume designer Neeta Lulla. Search for: Jodhaa Akbar: A love story tailor-made for today
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